Dear Students
Here are some important questions and answers of new prose "The Interview". Hope these will be helpful in your coming boards. If you want to give any suggestions, you are always welcome.
MULTIPLE CHOICE TYPE QUESTIONS
FLAMINGO –THE INTERVIEW (PROSE)
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SL NO
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QUESTIONS
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ANSWER
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TYPE
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1
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What has become a common place of journalism?
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a. interview
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Recall
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2
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Who feels that some people are wounded by interviews and lose a part of themselves?
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d. V.S Naipaul
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Recall
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3
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What is semiotics?
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d. study of signs
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Recall
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4
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Which book brought intellectual superstardom to Umberto Eco?
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d. the Name of the Rose
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Recall
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5
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What is ‘a lot of empty spaces in our lives’ called by Eco?
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c. Interstices
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Recall
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6
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Despite the drawbacks of the interview it is used as-
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b. A supremely serviceable medium of communication
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Understanding
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7
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Who holds the position of unprecedented power and influence?
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a. the Interviewer
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Understanding
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8
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Why did Eco prefer to write essays that have narrative aspects?
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c. Provides a way of creative writing
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Understanding
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9
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What makes ‘ The Name of the Rose’ a serious novel?
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a.It is a detective yarn
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Understanding
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10
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What does the expression ‘thumbprints on his windpipe’ mean?
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c. To be choked and suffocated
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Understanding
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11.
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Why was Umberto Eco given an advance for 3000 copies only?
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b. Publisher didn’t expect to sell more than 3000 copies
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Apply
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12
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Who were the most puzzled with the success of Eco’s book?
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d. Journalists and publishers
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Apply
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13
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Unlike Eco , what problem did Roland Barthes face?
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c. He was unable to do creative writing
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Apply
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14
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What does Eco think of the readers of his novel ‘The Name of the Rose’?
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b. They like to have easy reading experiences
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Apply
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15
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Despite being spectacularly famous after the publication of ‘The Name of Rose’ with whom does Eco identify himself?
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b. Academic community
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Apply
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FILL UPS/SENTENCE COMPLETION TYPE QUESTIONS
FLAMINGO - THE INTERVIEW(PROSE)
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SL NO
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QUESTIONS
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ANSWER
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TYPE
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1
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Celebrities despise the interviews as an …………………… into their lives.
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unwarranted intrusion
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Recall
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2
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Eco acquired superstardom with the publication of ……………………
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The Name of the Rose
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Recall
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3
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Joseph Stalin described interviews as being like ……………… on his windpipe.
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thumbprints
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Recall
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4
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Since its invention ………………… have become a common place of journalism
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interviews
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Recall
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5
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With the expansion of journalism, unprecedented power and influence lies with the ………………………..
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interviewer
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Understanding
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6
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According to Eco, empty spaces in our lives are…………………………
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interstices
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Recall
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7
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In today’s world…………………… is our chief source of information about celebrities.
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Interview
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Understanding
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8
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Despite acquiring a formidable reputation as a scholar, Eco turned to writing ………………….
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fiction
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Understanding
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9
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Eco’s first doctoral dissertation was appreciated by his professor as he presented it like a …………………………..
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story
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Understanding
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10
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Joseph Stalin was a great……………… revolutionary and an active political organiser.
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russian
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Recall
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11
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Eco’s philosophical interests are in peace and …………………………….
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non-violence
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Recall
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12
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Eco wrote over 40 scholarly works of ……………….
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non fiction
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Recall
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13
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Like in some primitive cultures taking photographs is considered like stealing one’s soul, some celebrities feel that interviews ……………… them.
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diminish
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Understanding
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14
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Rudyard Kipling considered interviews as an assault; however, he did the same with …………………….
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Mark Twain
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Understanding
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15
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Despite being a frequent interviewee ,…………………. referred to the interviewing ordeal.
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H.G Wells
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Recall
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REFERENCE TO CONTEXT TYPE QUESTIONS
FLAMINGO - THE INTERVIEW(PROSE)
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SL NO
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QUESTIONS
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ANSWER
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TYPE
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1
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Some might make quite extravagant claims for it as being, in its highest form, a source of truth, and, in its practice, an art. Others,
usually celebrities who see themselves as its victims, might
despise the interview as an unwarranted intrusion into
their lives, or feel that it somehow diminishes them, just
as in some primitive cultures it is believed that if one
takes a photographic portrait of somebody then one is
stealing that person’s soul
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Recall/ understanding
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2
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The creator of Alice in
Wonderland, was said to have had ‘a just horror of the
interviewer’ and he never consented to be interviewed- it was his horror of being lionized which made him thus repel
would be acquaintances, interviewers, and the persistent
petitioners for his autograph and he would afterwards
relate the stories of his success in silencing all such people
with much satisfaction and amusement.
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Recall/ understanding
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3
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His wife, Caroline, writes in her diary for
14 October 1892 that their day was ‘wrecked by two reporters
from Boston’. She reports her husband as saying to the
reporters, “Why do I refuse to be interviewed? Because it
is immoral! It is a crime, just as much of a crime as an
offence against my person, as an assault, and just as much
merits punishment. It is cowardly and vile. No respectable
man would ask it, much less give it,”
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Understanding / apply
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4
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H. G. Wells in an interview in 1894
referred to ‘the interviewing
ordeal’, but was a fairly frequent
interviewee and forty years later
found himself interviewing Joseph Stalin. Saul Bellow
, who has consented to be interviewed
on several occasions, nevertheless
once described interviews as
being like thumbprints on his windpipe.
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Understanding/ apply
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5
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Aah, now that is more difficult to explain.
I have some philosophical interests and I pursue
them through my academic work and my novels.
Even my books for children are about non-violence
and peace...you see, the same bunch of ethical,
philosophical interests.
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Understanding/ apply
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6
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My American publisher said
while she loved my book, she didn’t expect to sell
more than 3,000 copies in a country where nobody
has seen a cathedral or studies Latin. So I was
given an advance for 3000 copies, but in the end it sold two or three million in the U.S.
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Understanding/ apply
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7
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Not everyone can do that of course. Your
non-fictional writing, your scholarly work has a
certain playful and personal quality about it. It is
a marked departure from a regular academic
style — which is invariably depersonalised and
often dry and boring. Have you consciously adopted
an informal approach or is it something that just
came naturally to you.
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Understanding/ apply
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8
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When I presented my first Doctoral
dissertation in Italy, one of the Professors said,
“Scholars learn a lot of a certain subject, then they
make a lot of false hypotheses, then they correct them
and at the end, they put the conclusions. You, on the
contrary, told the story of your research. Even including
your trials and errors.” At the same time, he recognised
I was right and went on to publish my dissertation as
a book, which meant he appreciated it
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Understanding/ apply
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9
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Yet despite the
drawbacks of the interview, it is
a supremely serviceable medium
of communication. “These days, more than at any other time,
our most vivid impressions of our contemporaries are throughinterviews,” Denis Brian has written. “Almost everything of moment reaches us through one man asking questions of another. Because of this, the interviewer holds a position of unprecedented power and influence.”
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Understanding/ apply
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10
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At that point, at the age of 22, I understood
scholarly books should be written the way I had
done — by telling the story of the research. This is
why my essays always have a narrative aspect.
And this is why probably I started writing narratives
[novels] so late — at the age of 50, more or less.
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